I think of myself as a painter. I love art materials, painting and making pictures, always have. The most important thing as an artist is to do the work and do it every day. Ideas evolve more quickly and in order to master the craft, you have to practice, just as you would with a musical instrument, same thing, same kind of discipline.
Andrea describes herself as an illuminator of surfaces, creating organic, drawing based abstractions. She states, “Painting feels as natural to me as breathing, allowing the light to determine the composition, the sense of space can be ethereal, airy and soft. Even though I use a simplistic subject matter and color palette, the ideas and spaces are complex and deep.” Continue Reading >>
Part two of our Claybord 101 article offers up some tips and techniques for working with various mediums on Ampersand Claybord. Have any tips of your own? Leave them in the comments section! Continue Reading >>
Welcome to the fourth installment in our continuing series of “101” features on Ampersand Bords. Many artists are just now discovering our panels and this back-to-basics series is designed to help distinguish between our different surfaces, and to provide a review for the Ampersand veterans. In this article, we are going to look at our signature (and very first) product – Claybord. Continue Reading >>
It’s hard not to get swept up in the work of Austin, Texas artist John Cruz. His paintings are at once recognizable and yet abstracted. Not only abstract in the customary execution, but also in the range of feelings that his imagery evokes. His subjects are identifiable – bokeh’ed representations of simple scenes and objects laced with pop-art sensibility. John looks for instantly relatable common themes and extorts their social commentary while shading them with a bit of humor. Ultimately, the subjects in his paintings take a backseat to the emotions they conjure up, which is exactly what he strives for. Continue Reading >>
For our third installment in our series of “101” articles about Ampersand “bords,” we are going to look at our most popular Value Series panel, The Artist Panel – Unprimed Basswood. With so many new artists discovering and using our wood painting panels, the back-to-basics Ampersand 101 series is designed to introduce and explain the features and benefits of our different panels. But even if you are a seasoned Ampersand veteran, you will find information in these articles to inspire and hopefully encourage you to try or revisit a panel that you don’t normally use.
There is a plethora of raw wood panels on the market these days. In fact, the market has grown so much since Ampersand’s first commercial panel, that many manufacturers, large retailers, and distributors who were not in the panel business have introduced their own raw wood panels. Unfortunately, most of these panels are rough, poorly made, and contain inconsistencies that can ultimately compromise your artwork.
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