Featured artist: Jeanne Rhea

Hopi Galaxy, 8x8, acrylic pouring on Ampersand Primed Smooth


From a very early age, Jeanne Rhea thought of herself as an artist. And yet, as many do, she hesitated to call herself one. “Others should make that determination…my art should speak for itself.” It was only within the last ten years that she has felt comfortable assuming the title.

"If I am not an artist, what am I? I am a mother, a grandmother, a sister, an aunt, a friend. but those are what I am to others and not who I am. I am first an artist."


But what creates an artist? Is it not life’s experiences that shape our art, that allow for true expression? In Jeanne’s case she has a multitude of seemingly unrelated jobs that have all contributed to her artistic makeup. Whether it was working in a resort cleaning rooms, doing laundry, or working in clothing factories cutting leather and inspecting uniforms; it all has helped to form the person that Jeanne has become. She worked for the state of Tennessee in a string of unsatisfying jobs that found her continually searching for more. In Anchorage she was a house mother in a children’s home and for a time ran her own business as a general contractor doing maintenance and remodeling.

For most of her working life, she worked for herself, displaying an independent spirit that would later show through in her artwork. Although the jobs satisfied the need of providing a paycheck, they did not do much to satisfy her creative urges. Jeanne needed an outlet. For a time, she made costumes for country singers in Nashville. For another period, she created items for an arts and crafts co-op that she helped to start. And just as she had many jobs, as an artist Jeanne explored many styles and media before accidentally discovering the process that has become her signature. While working with polymer clay, Jeanne haphazardly touched one brand of alcohol ink to another and was fascinated with the wonderful pattern that emerged. Instantly recognizing the possibilities, she was hooked. And she still is. “After almost thirteen years, I can’t wait until I go into my studio and experiment with new inks or paints and discover new techniques and effects.”

Dance of the Cosmos by Jeanne Rhea
Dance of the Cosmos, 48x36, alcohol and acrylic inks and resin on Ampersand Claybord



Her work with alcohol inks receive a lot of attention, usually with initial comments about looking reminiscent of a psychedelic, drug-like state. People see everything from microorganisms, cell structures, the cosmos, fireworks and, fractals. But one thing that seems to always hold true is that the more time spent with her art, the more it begins to affect people. Jeanne recalls one moment in particular. Two women were in the gallery and one woman turns to the other and exclaims, “Not my taste at all. Looks like what one would see under a microscope. Colors are way too vibrant. It is just too flashy for my home.” Her friend, however, was of a different opinion, saying how much she loved them and that they would go very well in her more contemporary home. She definitely wanted a painting but could not decide which one she liked best.

The two proceeded to remove paintings from the wall and examine each one away from the others. Before they left they had both purchased paintings. "The woman who did not like my paintings was the one to convince her friend to buy a painting because it was her style. Then, after talking about how much she thought one would fit her friend’s home, she decided that one was perfect for her home as well. She became a collector with three of my paintings!"


Metallic Inks



Jeanne began working with alcohol inks and resin on Formica and Wilsonart, polymer clay, and plexiglass. While the polymer clay worked very well for her process, it was time consuming. She searched for a panel that had the porosity that would work to get the effects that she wanted. "When I found Claybord, I discovered that it was close to the perfect porosity and the panels were of the highest quality. I have been told by several gallerists that Ampersand cradled panels enhance abstract art, and it makes abstract art easier to sell. Customers do not have to make decisions about framing while deciding which painting to purchase. The cradled panels remove one more barrier from the purchasing process.”

Jeanne’s latest obsession is using metallic inks and powders to get new patterns. “Although I have used these metallic inks for years, I just discovered another solvent that creates a new effect!” She is also using oils and Pebeo paints using solvents to create interesting patterns in a similar process to what she uses with the alcohol inks.

Dance of the Jellyfish, 48x36, alcohol and acrylic inks and resin on Ampersand Claybord



Jeanne is drawn to painting abstracts in the way that she is because of her inability to completely know the results of her actions. “I am slightly a control freak and tend to be a perfectionist. For an artist, these traits can inhibit progress or prevent one from completing work.” To counter this, she has learned to approach her work with an open mind and lets the process and conditions dictate the final outcome. “I paint almost all the time to music”, she says. “The music probably affects my emotions and in turn my paintings more than anything else.”

Jeanne picks her colors, uncaps the bottles and puts out all of her tools. From there, she lets the process take over. “I work wet into wet”, Jeanne explains. The conditions: humidity, temperature, viscosity, and chemical composition of the inks, porosity of the substrate, all must be just right to get interesting patterns or designs. By paying close attention to these conditions and experimenting a lot, I have been able to develop my style.” More recently, Jeanne began painting occasionally in a less abstract styled manner – although they still possess her signature alcohol ink elements.


But being an artist is more than just creating art. Jeanne finds that there is a camaraderie amongst artists that is hard to find in other professions. “I know the stereotype that artists are fickle, brooding, hard to deal with, too independent, quirky, eccentric, too dreamy, noncommittal, intense, always broke, egotistical, and uncompromising - and that is just the short list!” Jeanne exclaims. “But my experience has been that many artists are more sensitive to what is happening in the world... and see the world differently than the average person."

"I rarely go to a gallery or show that I do not see some art that either makes me think, adds beauty to my life, or speaks to me in a way that communicating by words cannot do."

The camaraderie shared by artists contributed to one of Jeanne’s proudest moments as an artist. For the tenth anniversary of the Carolina Mixed Media Art Guild, she was presented with a scrapbook filled with members’ artwork. “It was a huge surprise! I had formed the guild after 9/11 when I moved to Raleigh where I did not know anyone. I decided I needed to find other artists and focus on my art. The guild has provided activities, instruction, support and inspiration, opportunities, fun, charitable work, and friend for life.”

Jeanne is nothing if not passionate. Passionate about what she creates. She says that people are always surprised when they see her work and then meet her face to face. Although she is animated and outgoing when talking about her art or with friends, she can be the opposite around strangers. “I think they expect to see a ‘hippie’ or a young artist and someone with a very outgoing personality” she explains. “Maybe my vibrant and colorful paintings are my alter ego.”


Artist Bio:

Jeanne Rhea has been involved in arts and crafts her entire life and was a founding member of an arts and crafts co-op in Anchorage, AK. She currently lives in NC and is the founder of the Carolina Mixed Media Art Guild.

She is a self-taught artist and is inspired by nature, colors, patterns, fractals, photomicrography, life experiences, and the creative process itself. Using a variety of inks, she is able to create a broad range of effects that are reminiscent of microorganisms, the arctic tundra, mudflats, terraced earth, the cosmos, sea life, flowers, surrealistic landscapes, and more.

Her paintings are one-of-a-kind and no prints are made. They capture the imagination with their unique patterns, designs, and vibrancy. To see more of Jeanne's work, visit her website and Facebook.


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