Amy Shawley Paquette demonstrates her “painterly illustrative” style using Claybord and Golden® High Flow acrylics. She is a Virginia-based visual artist whose painting and illustration is inspired by nature, texture, color, and travel. Her work incorporates figurative elements with wildlife, architecture, and landscapes that are influenced by her adventures.
Ampersand Primed Smooth works great for making silhouette paintings of your family or friends. Its smooth surface means that you’ll have excellent control of both the drawing and the painting steps in this project. Also, because it is a rigid panel, you can frame it without a mat or glass when you’re done for a lasting keepsake!
Tennessee based artist Margaret Munz-Losch brings together the natural world and human identity, sometimes in an uneasy way to grab the viewers attention, but always in a beautifully rendered and designed finished piece. Margaret honed her art skills on her own, learning to cultivate her attention to detail along with her vision for the unspoken pieces of life. Margaret works from her own photographs and reference material, creating a rough sketch first before drawing on panel. Then she blocks in the work with tinted gesso or acrylic paint before using layers of oil based pencils and wax based colored pencils. Her pieces take hundreds of hours, taking into consideration the grew detail and size of her work.
Black Cat, 30″ x 30″
Her choice of materials in combination is just as unique as her artistic perspective, bringing together acrylic and colored pencil on Gessobord™. Margaret came to find Ampersand through an art material catalogue and has created many of her works on custom sizes, unusual for a colored pencil artist. She explains, “Good materials are imperative when you want your work to be all it can be. There is no point in working against yourself especially when the work is so detailed and time consuming. There is beyond a world of difference between fine quality materials and poor quality. I can not stress it enough. Spending more on an Ampersand panel ultimately saves you time, money, and frustration.” Gessobord is perfect for Margaret’s work, with a little tooth for her pencil and the ability to layer paint.
“I have found that Ampersand panels are unmatched and provide the ideal painting substrate for my high detailed work. I previously made my own panels, but found that I could rarely get a flawless surface. With Ampersand Museum Series panels, I receive an ideal texture with little to no fuss.” ~Ian Bodnaryk
Inquisition, 15″ x 20″, acrylic
Canadian artist, Ian Bodnaryk has been working in acrylics for more than 20 years, and it is evident, from the scrupulous detail in his work and the careful planning of the design, that each piece is constructed with skillful precision and thoughtfulness. Ian began his career in realism, enjoying the natural beauty in an object, even if one might find the subject ordinary or mundane. “I love the challenge of turning objects around my home into dramatic icons, while retaining the simplicity or humor of the subject,” he explains. Choosing to work in acrylics was natural for Ian, as he learned how to paint and found his style with them, gathering along the way that they achieve the results he needs. With the quick drying time, Ian can focus on one piece at a time, his working preference. For a time, Ian made his own panels, but struggled to get a flawless surface. Considering the reviews of fellow Scratchbord™ artists, Ian decided to try Ampersand’s panels. He found that the high quality met his needs without much preparation.
The Contemplation of Daniel, 20″ x 16″, acrylic, Kingston Prize Finalist
Ian explains his process using Hardbord™, the unprimed, museum quality board Ampersand sells. “When using unprimed Hardbord, I will first seal the surface with two coats of GAC100. After an appropriate amount of drying time, I begin the priming process. I normally thin the gesso by about 20%. I apply the gesso with a 2″ hake brush using criss-cross brush strokes. After each coat is applied, I will use a hair dryer to speed up the drying process. Once the gesso is dry and cool, I will sand the surface using a 200 grit sanding block to eliminate all the brush marks. This process is repeated 6 to 8 times. The last two coats, I will normally tint the gesso with my background color. When using a board that is not cradled, I will apply several coats to the back of the panel to eliminate any warping.” After completing a painting, Ian does varnish with a spray varnish, he shares, “Varnishing is the key to maintain the life, vibrancy, and safety of your piece.”
Earlier this year, Ian became one of 30 finalists of the Kingston Prize, a biennial national competition for contemporary portraits by Canadian artists.To see Ian’s work in person, you can visit The Art Gallery of Calgary in Alberta, Canada where his work as part of the Kingston Prize exhibit will be on display through January 25, 2014. To view more of Ian’s work online, you can visit his website at: www.ianbodnaryk.com or find him on Facebook: facebook.com/ibodnaryk All things Ampersand, Karyn Meyer-Berthel Artist & Social Media Specialist Ampersand Art Supply Click here to explore the full selection of Ampersand panels and tools.
We held our first photo contest on Facebook this spring asking for artists to submit shots of their studio with their Ampersand panels in clear view. Out of the entries, we selected three winners to share with you in our blog. Over the coming months, you’ll get to know those artists and their Ampersand studios a bit better.
Athena’s Timeline: The Prelude, Mixed Media on Claybord
Detail of Athena’s Timeline Illuminated
Michigan artist, Valerie Allen, has always known she was an artist. She was the go-to person in high school for anything art, always working on projects and commitments. “I remember begging my dad to drive me to an art contest 2 hours away — definitely a long shot — he missed his favorite grouse hunting day. Lucky for me– my persistence paid off with me winning the grand prize. He always remembered that day with a smile. The country girl showing the city folks a thing or two about design!” Her persistence as an artist has continued to pay off, as she is an award winning exhibitor and instructor. As an educator for many universities throughout her career and ongoing with the Alden B. Dow Museum of Science and Artand the Golden working Artist program, Valerie has a lot to share with her students about good materials.
Valerie has always been attracted to a range of mediums. She found that her love of art history and process enlightened her on the range of mediums and the artists that used them. Naturally her experimentation followed the artists that attracted her: Van Gogh, Picasso, Rauschenberg, moving through oils, ceramics, lithography and encaustic. With her move into the Golden Working Artist’s Program, Valerie has concentrated on encaustic and acrylic, both which do quite well on Ampersand panels. Valerie came to find Ampersand Claybord™ through a colleague and artist, Armin Mersmann. He hired her for instruction at the Alden B. Down Museum of Science and Art. A lovely bonus came from their working relationship as Valerie and Armin have been married now for ten years. “I find Ampersand to be such a versatile support for my work. I use it for my acrylics that are layered with thick gels and pastels. I also use it to mount my encaustic monotypes. I really appreciate the archival qualities of the boards. When I sell artwork on Ampersand, I know with confidence it will stand the test of time in any setting,” Valerie explains. To see more of Valerie’s work or her schedule for the Golden Working Artist Program, check out her website: valerieallen.artroof.com All things Ampersand, Karyn Meyer-Berthel Artist & Social Media Specialist Ampersand Art Supply Click here to explore the full selection of Ampersand panels and tools.