“I have explored many different media over the years, including mosaic, acrylic and oil paint. Currently I am working primarily with the encaustic medium. It has incredible fluidity and allows me to achieve balance between color and form.” Dallas artist, Elizabeth Schowachert came to encaustics through The Encaustic Center in Dallas run by Bonny Leibowitz. She explains, “I had always been interested in the medium, loved the look of encaustic paintings and decided to give it a try. I took a beginning class, and several studio days working with Bonny. I had been painting with Acrylic and Oil in the past, once I started painting with wax I never looked back. I just love the medium.” In using Encausticbord, Elizabeth found that the surface, being made especially for wax has terrific absorbency and doesn’t produce bubbles, and the panels look professional. Below, Elizabeth demonstrates her work and process on Encausticbord™ with encaustics and R+F pigment sticks.
Somnus, encaustic on Encausticbord by Franciso Benitez, 16″ x 32″, 2011
Francisco Benitez works in encaustic and also in oils, creating luminous portraits with a classical touch. He divides his time between Europe and Santa Fe and you can find him online through his website, blog, Facebook and Twitter. Francisco’s current gallery representation at the Chase Gallery in Boston, MA, and at the Galleria d’Arte Quadrifoglio, Siracusa, Italy.
Click here to explore the full selection of Ampersand panels and tools.
Palettes and Heat A heated surface is used to hold cups of paint or to mix color right on the surface. For health and safety, the recommended working temperature is between 180–220 F. This is the R&F 16″x16″ palette with attached brush holder and heating element. It is made with a sheet of 3/8″ aluminum alloy and has been anodized to prevent reactivity that could discolor pigments. Adjustable Legs make for easy leveling of the palette. Brushes, thermometer, and palette cups are sold separately.
About Brushes Use only natural-hair brushes for brushing on and fusing wax – synthetic brushes will burn or melt and cannot sustain the heat. Use palette knives for carving and applying wax, modeling tools for etching and carving, all types of absorbent papers for collage. Even dip or pour wax onto the surface. The possibilities are endless!
To clean brushes after use, keep a container of soy wax on your palette. Work your brushes in the wax and wipe clean. Soy wax (actually partially hydrogenated soybean oil) is an excellent alternative to paraffin for cleaning brushes for several reasons. Soybeans are a renewable resource, unlike paraffin, which is a petroleum product. Soy wax is non-toxic, burns cleaner than paraffin, and is naturally biodegradable. Soy wax is also easier to remove than paraffin wax, so after the color has been cleaned out of the brush, the brush can be washed with soap and water and is reusable in other mediums.
Cold Tools R&F manufactures a full line of Cold Flexible Tools that can be used with or without heat to create a refined surface. Designed after the tools that the first practitioners of encaustic used in ancient times these tools bring a modern sensibility to today’s encaustic artist.
Select from Circular, Oblong Angled, Diamond, and Oblong Flat shapes or a convenient set of all 4 tools. These tools are made of high carbon steel and are expertly finished.
Heated Tools R&F Handmade Paints also offers heated encaustic tools to help the professional artist finesse the surface of their paintings with control and precision like never before at an affordable price point. The Heated Hand Tools consists of the R&F handle, temperature regulator and an array of attachments that include flexible flat tips, as well as iron, horn and burnisher shapes. The flat tipped tools are offered in a set of 3.
“The quality of the Encausticbord products is great, the panels and cradles are made for the purpose and this shows, I really enjoy working with these supports. . . makes Encaustic even more fun!” ~Hazel Rayfield Self taught painter, Hazel Rayfield, has been enjoying working with encaustics for the past several years and recently took some time to share her technique with us on Encausticbord™. Hazel has been working in a variety of media throughout her painting career, including oil, acrylic and watercolor, but she has found a passion for encaustic. “I find working with wax as a painting medium can be a challenge but I just love to see what I can do with it, it is very versatile, from thin layers on card to deep layers on solid supports. The texture and the sheen of the wax is amazing and it has endless possibilities,” she explains. In the following videos from our YouTube channel, Hazel demonstrates both our Encausticbord and R+F encaustic paints. She works in several ideas on the Artist Trading Card size of Encausticbord and completes an entire piece on a cradled board.
To follow Hazel’s blog, check her out online at: www.artinwax.co.uk. All things Ampersand, Karyn Meyer-Berthel Artist & Social Media Specialist Ampersand Art Supply Click here to explore the full selection of Ampersand panels and tools.