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All Things Ampersand

Featured Gallery Artist: Rhonda Gates

Moire by Rhonda Gates
Moire, oil and graphite on Hardbord, 16″ x 20″, 2013

Rhonda Gates is an abstract landscape artist, explaining her process and inspiration in a recent blog post on her site, she shares that her works evolve in subject and color, as her process evolves in making them.  

All things Ampersand, 
Karyn Meyer-Berthel 
Artist & Social Media Specialist 
Ampersand Art Supply 

Click here to explore the full selection of Ampersand panels and tools.

New Ampersand Products for this Spring

6″ x 8″ flat panels

A few weeks ago, we announced the new sizes, 6″ x 8″, in our Museum Series panels, packed in 3’s.  They are a fun new addition to our product line and will be immensely helpful to those who travel with panels or who work plein air.

But now. . . 


We are also carrying new profiles, 7/8″ and 1.5″ cradles for Aquabord™ and Hardbord™!  

And larger sizes for Encausticbord™ and Hardbord 2″ cradled panels, including 10″ x 10″, 16″ x 16″, 30″ x 30″ and 36″ x 36″ square plus 24″ x 36″, 30″x 40″ and 36″ x 48″.  

New Hardbord Cradles


And new 10″ x 10″ sand 16″ x 16″, flat profiles for both Claybord and Gessobord.  Seriously great stuff to build up your studio supplies.

And now, you can find Aquabord, Pastelbord, Scratchbord and Artist Panels on SALE!!!

All things Ampersand, 
Karyn Meyer-Berthel 
Artist & Social Media Specialist 
Ampersand Art Supply 

Click here to explore the full selection of Ampersand panels and tools.

New Sizes for our Panels!!

This year, we added 6″ x 8″ inch flat panels to our size offering in Claybord™, Gessobord™, Pastelbord™, Encausticbord™ and Hardbord™, due to popular demand. They are small, lightweight and packed in threes for both convenience and cost effectiveness, and perfect for plein air painting.  Both Jerry’s Artarama and Dick Blick are  carrying the new sizes.  


All things Ampersand, 
Karyn Meyer-Berthel 
Artist & Social Media Specialist 
Ampersand Art Supply 

Click here to explore the full selection of Ampersand panels and tools.

Painting on Panel: Resources for Hardbord

In our “Painting on Panels” series, I’ve been sharing a lot of tips on working on wood panels.  To keep it all in one place, this is a list of resources for understanding wood panels and the best practices in working on them for producing long lasting art.

Working with Masonite — Read about what makes Ampersand’s hardboard different than Masonite, archival to use and the differences between other panels in the market.


Solid Wood vs. Manufactured Wood Panels —  The top 4 things an artist should consider when choosing a panel type.


Differences between HDF & MDF — What to look for in choosing a panel, whether it is hardboard, HDF or MDF.  Understanding the properties of each and how they will effect your artwork long term.


Cradling and Supports — Why it’s a good idea to brace large manufactured panels.


Sizing — Why it is important to size panels before priming and how to choose the proper products for good adhesion.


Oil Priming — All raw wood panels need to be sized and primed before painting. This outlines the basics on priming with an oil ground and which products to use for the best results.  


Acrylic Priming —  Step by step instructions for using an acrylic dispersion groung to prepare wood panels.

Support Induced Discoloration —  The reasons that SID occurs and what you can do to prevent it.  

Take note that Hardbord and Unprimed Basswood are on sale now up to 50% off list price through the end of February.  Here is a list of the participating dealers: www.ampersandart.com/retailers2/promo-retail

All things Ampersand, 

Karyn Meyer-Berthel 
Artist & Social Media Specialist 
Ampersand Art Supply 

Click here to explore the full selection of Ampersand panels and tools.

Featured Artist: Ian Bodnaryk

Salama, 11″ x 14″, acrylic

I have found that Ampersand panels are unmatched and provide the ideal painting substrate for my high detailed work.  I previously made my own panels, but found that I could rarely get a flawless surface.  With Ampersand Museum Series panels, I receive an ideal texture with little to no fuss.”  ~Ian Bodnaryk

Inquisition, 15″ x 20″, acrylic

Canadian artist, Ian Bodnaryk has been working in acrylics for more than 20 years, and it is evident, from the scrupulous detail in his work and the careful planning of the design, that each piece is constructed with skillful precision and thoughtfulness. Ian began his career in realism, enjoying the natural beauty in an object, even if one might find the subject ordinary or mundane. “I love the challenge of turning objects around my home into dramatic icons, while retaining the simplicity or humor of the subject,” he explains.

Choosing to work in acrylics was natural for Ian, as he learned how to paint and found his style with them, gathering along the way that they achieve the results he needs.  With the quick drying time, Ian can focus on one piece at a time, his working preference.  For a time, Ian made his own panels, but struggled to get a flawless surface. Considering the reviews of fellow Scratchbord artists, Ian decided to try Ampersand’s panels. He found that the high quality met his needs without much preparation. 

The Contemplation of Daniel, 20″ x 16″, acrylic,
Kingston Prize Finalist


Ian explains his process using Hardbord™, the unprimed, museum quality board Ampersand sells. “When using unprimed Hardbord, I will first seal the surface with two coats of GAC100. After an appropriate amount of drying time, I begin the priming process. I normally thin the gesso by about 20%.  I apply the gesso with a 2″ hake brush using criss-cross brush strokes. After each coat is applied, I will use a hair dryer to speed up the drying process.  Once the gesso is dry and cool, I will sand the surface using a 200 grit sanding block to eliminate all the brush marks. This process is repeated 6 to 8 times. The last two coats, I will normally tint the gesso with my background color. When using a board that is not cradled, I will apply several coats to the back of the panel to eliminate any warping.” After completing a painting, Ian does varnish with a spray varnish, he shares, “Varnishing is the key to maintain the life, vibrancy, and safety of your piece.”


Earlier this year, Ian became one of 30 finalists of the Kingston Prize, a biennial national competition for contemporary portraits by Canadian artists.  To see Ian’s work in person, you can visit The Art Gallery of Calgary in Alberta, Canada where his work as part of the Kingston Prize exhibit will be on display through January 25, 2014.


To view more of Ian’s work online, you can visit his website at:  www.ianbodnaryk.com or find him on Facebook:  facebook.com/ibodnaryk

All things Ampersand, 
Karyn Meyer-Berthel 
Artist & Social Media Specialist 
Ampersand Art Supply 

Click here to explore the full selection of Ampersand panels and tools.