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All Things Ampersand

Featured Artist: Caroline Adams

Remain, 22×28, egg tempera and oil on Ampersand Claybord

Caroline Adams, an egg tempera artist, discovered Claybord for her abstract landscape artwork. Inspired by the many places she has lived, her work draws from the colors, shapes, and lines of each place.

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Featured Artist: Shawn Dell Joyce

Front Row Seats, 16×20, pastel on Ampersand Pastelbord

Featured Artist: Shawn Dell Joyce

Shawn Dell Joyce is a Florida-based plein air painter known for glowing sunsets, bold colors, dramatic scenery, and Florida wildlife.

As founder of the Wallkill River School of Art and plein air teacher, Shawn Dell Joyce has had a tremendous impact on the art community. Her work has been featured in publications from the Tampa Bay Magazine to the New York Times and is represented in galleries across the country.

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Featured Artist: Justin Vining

“Indiana Dunes National Park”, 5″x10″, gouache on Ampersand Aquabord

Featured Artist: Justin Vining

Justin Vining is an Indianapolis-based artist, specializing in landscapes and cityscapes. Justin studied Art Education at Purdue University and taught elementary art for three years. Following his tenure as a teacher, Justin attended Valparaiso Law School, where he rekindled his love for creating between classes and clerking. Shortly after graduating and passing the bar in 2010, Justin decided to pursue art full-time and hasn’t looked back.

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Featured Artist: Scott Gellatly

“Sunlit Edge”
12″x24″, oil on Ampersand Gessobord

Featured Artist: Scott Gellatly

Ampersand Artist Ambassador Scott Gellatly is a landscape painter at heart, but his work has become more abstracted, with greater emphasis on pure color and gestural mark-making to evoke nature. As a plein air painter, Scott uses Ampersand Gessobord, Aquabord, and Pastelbord for his work.

“Ampersand panels are ready to capture each stroke of color. The perfect supports to support my art! I’ve always been driven to make things. No matter the medium, I find excitement and wonder in creating something that didn’t exist the day before. Whether that creation succeeds or fails, it drives my creative process forward – eager to begin the next piece.” – Scott Gellatly

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Priming Wood Panels With Oil Grounds

Priming Wood Panels With Oil Grounds

A wood panel is a better painting substrate because it is less susceptible to expansion and contraction than flexible supports, like canvas. The movement of these flexible supports can result in cracks and damage to the artwork created on them.

Ampersand offers several ready to use sealed and primed panels, but for artists that prefer to prime their own painting panels, enjoy working with a natural wood texture, or need strong support for encaustic, collage, or mounting, Ampersand also offers three unprimed wood panel options: Hardbord, Unprimed Basswood, and Birch Wood Panel.

Commonly, artists ask us if unprimed wood panels need to be sized. The answer is yes.

All raw wood panels should be sized properly before applying ground applications, regardless of whether you use acrylic polymer dispersion “gesso” or oil painting ground.

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