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Maryland-based Gessobord artist Eric Robinson specializes in oil and pen to create various visual narratives. Eric’s use of rich earth tones and bold brushwork is met with complementary soothing backgrounds that allow his subjects’ personalities to radiate through and be the focal point of each piece.
Gessobord’s acrylic gesso coating has just the right level of absorbency allowing you to blend oil colors and maintain their slower drying time.
Join Ampersand Artist Ambassador Scott Gellatly as he uses Gessobord, Aquabord, and Pastelbord for his plein air work.
An educational and entertaining exploration of Ampersand Gessobord by mixed media artist and author, Brigitte Waldschmidt. (English subtitles)
Learn why Gessobord is the perfect surface for oil and acrylic.
Ampersand Artist Ambassador Scott Gellatly is a landscape painter at heart, but his work has become more abstracted, with greater emphasis on pure color and gestural mark-making to evoke nature. As a plein air painter, Scott uses Ampersand Gessobord, Aquabord, and Pastelbord for his work.
Gessobord artist Erin Berrett is a contemporary realism oil painter best known for her still-lifes. Some of our favorites are meaningful commissions that have sweet or fun and quirky backstories.
From a background making non-objective art in NYC to a move to Vermont, the tides changed and a passion for plein air took hold. This love of the outdoors is additionally translating into larger studio works. Painting in the field, to limitless color. Ever-changing light, and the sound of a spinning world engages and challenges both perceptions and expression.
Her work evokes a feeling of peace. With an impressionistic style and an illustrative base, the textural imagery in Jane Hunt’s sweeping landscapes skillfully merge a sense of immense wonderment with a tranquil feeling of warm familiarity. Her work is calming and ethereal, conjuring emotions of a familiar, yet undefined, location.
This painting was inspired by a woman that was watching a procession in a small piazza in Italy. I am usually inspired by a particular subject, light quality, shadow pattern, or overall mood based on a life experience. When not able to work from life, I try to work from a combination of quick sketches, color studies, and photographs.